Radioactive Review: 'Carnosaur' (1984)

 

Going through more of my own personal stash of Paperbacks From Hell.

Read it as a wee one circa 1985-ish, and thought I'd give it another gander.

(Y'all know by now I loves me some dinosaurs, so will spare the usual navel-gazish rambling.  And OF COURSE y'all are aware Jurassic Park hit the stands in 1990.)

—

Like Thomas Hobbes' "State Of Nature" and Billy Barty on a bender, Carnosaur is nasty, brutish, and short.  It's a lean 214 pages, and the exploitative pulp is exploitatively pulpy enough (despite a nigh-dinosaur-less middle slog).

Starts promisingly, as a "scythe-like middle claw opened up [him] from neck to groin before he even realized what was happening" by Page 4.  (The him in question is an unpleasant, misogynistic farmer who catches a critter in his chicken coop.)

On Page 5, his aggrieved wife sees "something out of a nightmare.  It was all teeth and claws and it was eating him... the monster pushed its snout into her husband's open stomach and tore out a length of intestine."  She dies via heart attack.

Later on Page 5, there's some backseat statutory rape; by Pages 7-8, there's a headless, unpleasant lothario and an unpleasant head-crashed-into-a-tree jailbait.

Whew!  And that mayhem was all inflicted by the same beastie!

—

Flip the page, and we meet the ostensible protagonist, one David Pascal: an unpleasant, misogynistic reporter yearning for His One Big Break to escape the sleepy English hamlet of Warchester, England.

He gets to investigatin' the mysterious deaths, presumably caused by a rogue tiger from unpleasant local aristocrat-slash-captain of industry-slash big game hunter Sir Darren Penward's manor menagerie.

Cue some stuffy politics and corrupt-ish law enforcement, which is blessedly interrupted by more mysterious monster mayhem on Pages 31-33:  a dead little girl ("[She] died instantly, her skull completely crushed."), a dead pony, and a dead mom ("The cruel, razor-sharp middle claw slashed through [her] neck and deep into her chest.  She was already dead by the time her body fell backwards onto the blood-soaked hay.")

Again, all the same critter!  Thang gets around.

Now onto the slog.

There's more politicking.

There's Jenny, Pascal's fetching ex who is both a better journalist and, unpleasantly, a doormat for his nonsense.

There's a scummy plan for Our Hero to seduce Lady Jane (Penward's unpleasant, nymphomaniacal-in-a-judgy-way wife) to gain access to the menagerie.  The graphic fellatio makes it more unseemly.

There's Pascal's break-in to the compound zoo.

And finally, on Page 94, action resumes.  Those are a lonnnnngggg dinosaur-less sixty-something pages.

—

Pascal gets captured.

Penward, a lifelong dino-fanatic, monologues on Pages 109-110 about his demented Master Plan that involves cloning dinos via extracted-from-fossils-DNA merged with chicken embryos.

Crichton Knew A Good Idea When He Heard It...

Going to put it here in its entirety, because it's GLORIOUS.

"I intend to re-establish the dinosaur on earth, Mr Pascal.  I intend to release dinosaurs into the wild in [remote properties in Africa, Australia, Canada, New Zealand].  I am giving the greatest animals that ever lived a second chance.  And then we will see who is the rightful victor in the struggle between mammals and dinosaurs."

[insert Pascal's protestations here]

"People don't interest me, Mr Pascal.  There are too many of them on this planet as it is.  They... are like some awful vermin that has spread out over the world leaving filth and pollution everywhere.  As far as I'm concerned, they are one of nature's failed experiments.  It is time they went."

[insert Pascal's confidence that Man's technology, like "cannons and guided missiles", will defeat dinos here]

"Man's technology is about to run amok, Mr Pascal.  I predict an atomic war, either by accident or design, within a few years.  It is inevitable.  And when the pieces settle, my dinosaurs, by then well established in the remote areas of the world, will be free to thrive and multiply.  What remains of the human race will be helpless against them."

—

By Page 125, the book turns into pretty much into the second half of Jurassic World: Fallen Kingdom.

Yes, Penward Manor Even Has A Fossil Museum!

The jilted Lady Jane releases all the dinos and they rampage throughout the mansion and into the countryside.

The Dilophosaurus and Deinonychus eat unpleasant security guards and butlers.

The Tarbosaurus wrecks a vacant shopping mall.

The Megalosaurus [which I need to mention suffers from madness-inducing horniness] fights an eighteen-wheeler, ultimately losing but taking out an unpleasant, rapey trucker in the process.

The Scolosaurus demolishes an army tank.  (It's off-handedly described as carnivorous early on, and then detailed to be herbivorous later.)

Add That Editorial Goof To A Few Typos And
An Annoying Mis-Count Of The Actual Number Of Dinos In The Book

The Plesiosaur eats a bunch of unpleasant party-boaters, fishermen, and navymen.

The Altispinax eats a cow.

The baby Brachiosaurus gets adopted by a kid.

The military ultimately wraps everything up.  The book's in the final pages...

...but then out pounces the secret double-Deinonychus that devours Jenny's family and baby sister!

Pascal pitchforks it.

And then the extra-secret ending happens, where two Tyrannosaurus rex hatchlings eat Lady Jane and the already-dead-from-bloodloss Sir Penward.

The end.

—

I feel the need to reiterate how much David Pascal sucks.

He's a mopey sad-sack that, at the onset, broke things off with Jenny outta both professional jealousy and she'll-just-hold-me-back-and-keep-me-stuck-here-in-Shitburgh-itis.

He later walks in on Jenny having secret office sexytimes with her new beau and has the gall to make her a villain, using that incident as fuel for his seduction of Lady Jane.

But Lady Jane is both a codependent and a fragile abuse victim, and Pascal grossly exploits her by manipulating her affections.  Like so:

"It is true!  If only i could prove [my love] to you!  I promise!  I promise I'll stay with you forever!" — p. 114

Then, mere pages later, Jenny has launched her own covert attempt to rescue Pascal from the compound.  Cue this exchange:

"I love you!  Of course I do.  I finally realized how much this afternoon when I was locked up downstairs.  I knew I only had hours to live... and the most painful thing was the thought I'd never see you again." — p. 128

It's not long before Lady Jane realizes his deception and true feelings for Jenny, so she unleashes dinosaur hell...

Substitute 'Heiress' For 'Barbarian'

...leading Pascal to confess his scumbaggitude:

"Jenny, I knew she was mentally unstable, but what I did to her tonight has pushed her over the edge.  Don't you see?  She was pinning all her hopes on me--she saw me as her last chance--and I more or less kicked her in the teeth!" — p. 140

Later, after some dumb (in the "this is terrible timing" sense) office sex, Pascal and Jenny encounter the mall-crawling Tarbosaurus.  Because she's competent, she daringly tries to get photos of it for a big news scoop.

Pascal's reaction:

"You stupid bitch!  Don't ever do that again!" — p. 193

Romance lives, eh?

—

Despite being chock full o' unpleasant, awful people, Carnosaur goes by quickly and has, in the style of the time, plenty of satisfying British creature carnage.

Also deserves points for using atypical dinosaurs.  I mean, John Q Civilian had never heard of a Scolosaurus or an Altispinax before, and the pint-sized T-rexes aren't even a plot point until the end.

Carnosaur also definitely deserves credit for throwing the pass that Jurassic Park turned into a touchdown.  [Editor's Note:  That's the only sports analogy Yours Truly has made in his life.  Hope I did it right!]

And it got a Roger Corman flick outta the deal (with some some primo blog-fodder, too!), so can't be all terrible.

—

RPG Relevance:  "Doomsday dinosaurs bio-engineered to become dominant post-apocalyptic lifeforms" is a ready-made campaign.  Just pick yer game engine and let 'er rip!

—

Final Review Score:  Three Dinosaurs Attack! Wax Packs Outta Five

"S" is for "Splicesaur — "Styracula"

Splicesaur — Styracula

No. Enc.:  0 (1d4)
Alignment:  Neutral
Movement:  120' (40')
Armor Class:  2
Hit Dice:  13
Attacks:  1 (gore or crush)
Damage:  2d8 + special, or 3d6
Save:  L7
Morale:  11
Hoard Class:  VII
XP:  7,800

Styraculas are freakish hybrids of ceratopsians and bats.   Throbbing veins and arteries criss-cross their bodies, and stunted, expressive chiropteric wings adorn their brows.  The enormous beasts communicate in screeches and squeaks.

Styraculas feed on the blood, which they drain from victims via hollow snout horns. Anyone gored suffers an immediate 2d8 damage and becomes impaled and incapable of movement, and suffers an automatic 1d10 leeching damage per round.  Impaled victims can't escape on their own, and it requires two allies performing successful Ability Checks Vs STR to rip them free (which inflicts an additional 1d6 damage).  Styraculas can both Charge and Trample.

As a styracula feeds, the blood pumps visibly through the creature's frill.

—

Mutations:  Echolocation, Increased Sense (Hearing), Shriek

Radioactive Review — 'Jurassic Park III'

It should come as no surprise that I'm excited for Jurassic World.

Yes, the trailers are obnoxious in their video game-y effects, and I can't think of a single Bryce Dallas Howard flick I've enjoyed.  

But there's gonna be a mosasaurus and Chris Pratt and trained velociraptors and motorcycles (which HAS to mean Chris Pratt and trained velociraptors on motorcycles!!!), so I'm totally psyched.

THIS.  BETTER.  HAPPEN.

In preparation for this surefire blockbuster that can in no way, shape, or form shatter my fragile heart beneath crushing disappointment, I've spent the week re-watching the original JP trilogy so I won't miss any nuances.

Jurassic Park (1993) is awesome.

The Lost World: Jurassic Park (1997) is hot garbage.  Yet I've mellowed—and trust me, no one is more surprised than me—on the flick, as it no longer fills me with seething, blistering vitriol; hell, it's even demoted from my Top Five Most Reviled Films list.

But what about the much-maligned Jurassic Park III (2001)?  Not only is it better than I remembered, it's interesting enough to revisit with a rambling quasi-review fourteen (!) years after the fact, particularly in the context of this here blog.

—

The Setup:  Jurassic Park III begins with a pretty flimsy premise:  obscenely wealthy, extreme (in the Mountain Dew-ian sense of the term) vacationers Paul and Amanda Kirby want to do a fly-by of The Isle Of Dread Pellucidar The Savage Land Isla Sorna (evil dino-company InGen's secret breeding ground for bioengineered beastes, as revealed in TLW:JP) for a photo safari, and need the chronically under-funded and ever-chapeau'd Dr. Alan Grant to give them aerial commentary on any fauna they spot.

Remember This Prop

Grant wants nothing of it, however, because of his aversion to being devoured.

There's Historical Precedent

But money talks, and Grant believes the Kirbys when they insist they'll pay any sum, and swear they will never, ever, Ever, EVER land on the island,.

So he and his pretty-boy assistant agree to the trip...

Seriously—It's Important

...which proves problematic because Paul and Amanda are bald-faced liars.

Portraits Of Punchability

Nope, the Kirbys aren't wastrel billionaires; instead, they're hardware-store-owning schmucks who happen to be divorced (AWKWARD), and team up again (in spectacularly awful fashion) to find their kid, who just so happened to go missing months ago on dino-island via a parasailing accident with Mama's new beau.

In other words, they're the freaking Van Houtens.

Ravenous Dinosaurs Are Preferable To These Two

Oops.

Dr. Grant comes across pretty terribly in this sequence.  I mean, I realize that this is a movie from the World Wide Web wasteland of 2001 and "Google" didn't become a verb until 2006, but everybody knows you investigate your employer(s)...

...particularly if they look like doomed grifters straight from a Tarantino movie.  

At the very least, Doc, you wait for the check to clear.  Sloppy, sloppy, sloppy.

"I've Made A Huge Mistake."

—

The Action:  Of course, they land.  Cue thundery, lizardy hijinks.

And there's a ton of 'em, with chases through forests and ruins and more forests and more ruins.  With a run time of 92 minutes (a good 30 shorter than its predecessors), JPIII wastes little time and deftly moves from setpiece to setpiece to setpiece.

They eventually find the missing kid (because, Spielberg), and wonder of wonders, he doesn't suck.

He's crafty.  

"Wardrobe Provided By Botany 500"

He hides out in a wrecked ATV.

I Bet There's Shag Carpeting And A Waterbed In The Back

He scavenges the InGen ruins for eats, weapons (like gas grenades), and tools.

Proper Diet Is Always The First Thing To Go 

And, best of all, he isn't whiny.  Kid's made of pretty resourceful, stern stuff.  He even keeps jars of tyrannosaurus urine around to scare away the smaller predators.

"You're A Teenage Boy Who's Been Alone For Months
Without Kleenex Or Socks.  Disgusting, But Understandable."

All things considered, Kid Kirby is the only competent person on the whole damned island.

—

The Setpieces:  There's some doozies.  My favorite involves a crazy aviary.

I've been a sucker for pterano-related mayhem since I saw The People That Time Forgot in 1977 as a wee one, so this bit was a hoot AND a holler.

One Might Say It Imprinted On Me...

...As Unto A Fanged, Clawed, Leathery Baby Bird

It's suspenseful as hell, and shows that even man-sized-ish, hollow-boned dinos are a legitimate threat.

Someone's Been Watching Too Much Batman.  Or Darkwing Duck.

"I Am The Terror That Flaps In The Night...."

The Kid even gets dropped into a nest chock full o' babies, and they do their damnedest to gobble him to death.  

And because I'm a terrible person, I laughed.

At Least I'm Embarrassed About It.

And though Kirby Junior survives his ordeal, Pretty Boy does not.  He gets hammered and bludgeoned and drowned and pecked to death.  It's a bad way to go.

But It Sure Makes A Bitchin' Obituary

Another neat sequence involves midnight dino-piracy in the rain.

Something, Something, "Bigger Boat", Something

When watching the Jurassic Park franchise back to back, it's obvious the production crews had a fondness for combining inclement weather, darkness, and monster attacks.  I can't decide if it's a budgetary thang to skimp on FX, or a way to mask clumsy animatronics, or just a case of "the audience liked it before, so ...."

Oh, What A Feeling

Hurm.  With the misty aviary and the midnight boat ride, there sure is a lot of "fog of war" in JPIII.

And, obviously, there's Mandatory Fun With Velociraptors.  They're essential to the series.

—

The Stars:  All that said, Jurassic Park III excels when it comes to the entire reason for watching in the first place:  the dinosaurs.

The first two installments focused on the creatures' grandeur and power and capacity to terrify, and chronicled how the humans reacted to them.  But in JPIII, there's a new-found intimacy with the beasts, and plenty of attention paid to how they respond to the humans.

And it's hysterical.

I mean, just look at that dripping disdain... that complete and utter contempt... that sublime whatchoo-talkin'-'bout-Willis-ness.

Glorious.  Absolutely, positively glorious.

And this little scene, where the protagonists do a collective slow turn to see what terror's behind them, ripped a surprise guffaw right from me because it's obvious what that spinosaurus is thinking:

"Y'all crackers done fucked up."

Sure, there's a lamentable over-reliance on CGI instead of practical effects and puppetry, but the dinosaurs generally work.  

Speaking of puppets, one raptor in particular brought a certain favorite felty fiend to mind.

You Can't Un-see It

—

The Issues:  Jurassic Park III's biggest flaw is that Téa Leoni doesn't die.

A Face Made For Being-Eaten-By-Dinosaurs

Women haven't been well served by the Jurassic Park franchise, and you'd think it impossible to find a character more inept than The Lost World's stone-stupid "wildlife expert", Sarah Harding (she of the "only there to document and record, but gotta first pet this here hatchling and almost get bludgeoned to death in the process" and "running around a carnivore-filled jungle bathed in the blood of a baby T-Rex" fame, a thankless role portrayed by Julianne Moore).

But you'd be wrong, as Leoni's Amanda Kirby is The Worst.

"THIS IS MY IMPRESSION OF A DINNER GONG.  PRETTY GOOD ONE, RIGHT?!!!"

"HUH?!!!  YOU WANT ME TO—WHAT'S THAT—BE QUIETER?!!!
SORRY!!!  I CAN BARELY UNDERSTAND YOU OVER THIS BLARING MEGAPHONE!!!"

She's shrill, obstinate, and—most egregious of all—oblivious, and the direct cause of 99% of the reptile-related havoc that befalls our protagonists.

Her First Victim

She's solely responsible for stranding the group on the island.

She gets half the cast devoured, and loses the only satellite phone in the process.

And she consequently creates and unleashes nothing less than JP's version of Tick-Tock, cinema's saurian stalker supreme.

The Resemblance Is Uncanny

And because Amanda's a parent in a Spielberg movie, you're supposed to root for her, and savor her triumphs.  Like finding her son, repairing her broken marriage, and, you know, not dying.

But not a single victory is earned...

I Despise Her Happiness

...and the one thing she does deserve doesn't happen.

"Just One Bite.  Please.  You'd Be Doing Me A Solid." — Dr. Grant

And the movie is the lesser for it.

PS:  She also looks almost exactly (sans glasses) like my first ex-girlfriend.  No good comes of that.

The Jawline Of Nightmares

—

But Wait, There's More:  There are some other major problems, like Dr. Grant communing with the dinosaurs.

Remember that pic at the top, where he's holding what looks like a horrifying marital aid? Turns out it's a model of a "skull resonance chamber" that allows the wielder to speak fluent Raptese.

That Skull Resonance Chamber Ain't Gonna Blow Itself, Doc

Yeah, Grant totally Zamfirs away a pack of pissed-off velociraptors.  They telegraphed it in the first ten minutes of the movie, and it's corny as hell.  I remember the audience's collective groan when I saw it in the theater way back when.

Another thing:  the movie doesn't so much end as come to an abrupt, nonsensical halt with a convenient military rescue.

Deus Ex Marine-a

It's like they ran out of money and just slapped on an ending with extras from an adjoining set.

Oh, and during said rescue?  Turns out Pretty Boy is alive, and somehow already safe and bandaged on a transport.  It's totally out of left field and completely insipid.

His miraculous survival ranks in the Top Three Lousiest Cinematic Death Cop-Outs, right behind Tom Cruise's immaculate, completely unscathed-by-interplanetary-invasion family in War Of The Worlds (2005)...

Not Seen:  LITERALLY EVERYTHING Outside The Frame Is Smoldering Rubble

 ...and Mario Van Peebles' "reverse-Bruce-ing" in the execrable Jaws: The Revenge (1987).

They Say Saltwater Aids The Resurrection Process

Pretty Boy straight-up needed to stay deceased.

Everybody Knows You Never Go Full Van Peebles

One last thing:  the music is utterly forgettable.  Jurassic Park gave us a sweeping, epic John Williams score that was as much a character as the actors themselves, but JPIII's composer Don Davis doesn't have the chops.  He does all right with the action bits, but overall, the soundtrack is sorely lacking... and big chunks are just reused from the prior movies.

Second Billing Behind Recycled Snippets?  Ouch.

—

RPG Relevance:  Jurassic Park III is the Platonic Ideal of a Tabletop Game Session Ported To The Silver Screen.

I mean, you just can't get more elegant in role-playing simplicity than "the party is trapped on a ruin-laden, monster-infested island with nothing but their wits and scavenged equipment to save them".

A True Classic Of The Medium

And JPIII's Isla Sorna is absolutely perfect for post-apocalyptic gaming in the Metamorphosis Alpha-ish / Mutant Future-y / Gamma World-ian vein.

Just look at the place!

Those ruins!

Those artifacts!

Those mutants!

That wreckage!
That rubble!

That overgrowth!  

As Dr. Grant says in the very beginning of the film, "what John Hammond and InGen did at Jurassic Park is create genetically-engineered theme park monsters."

If you can't mine that quote for hours and hours of gamma-gaming goodness, you need to surrender your Mutant Lord credentials.  Hell, I've even done a ton of heavy lifting for you, when it comes to those aforementioned lab-grown critters.

And if you tire of pure beastliness in your antagonists, JPIII's velociraptors make amazing foes.  They're clearly smarter and more linguistic than their relatives in the prior installments, and it wouldn't take much to make them sentient and technological.  (Again, someone else—in this case, Goodman Games—has done the work for you.)

Courtesy Of The (Woefully Unappreciated) Broncosaurus Rex Line

Me?  I'd really irradiate those raptors, and make 'em full-on telepathic, with a full suite of Mental Mutations.

And probably laser-vision, because I loves me some overkill.

—

The Wrap-Up:  As a movie, Jurassic Park III is definitely flawed, but also innocuously fun.  And it goes by so quickly that it doesn't wear out any welcomes.

But as a source of role-playing ideas?  It's a veritable goldmine.  Definitely one of the most inspirational gaming flicks ever.

—

Final Review Score:  Three Carnosaur 3 VHS cassettes out of five.  (Though it's probably closer to 2.5, mosasaurus-induced giddiness makes me generous.)